Ho, Ho, Ho! Merry Music Making!! In this blog post, we shall look at two of most successful rosewood Dreadnoughts on the market today, the Blueridge BR-160 and the Martin HD-28. Santa Claus received many requests for both from good boys and girls, for very good reasons.
This holiday season is a prime time for bargain hunters seeking end-of-the-year cheer for their ear, and for that pocketbook they hold so dear. The Blueridge BR-240 and the Martin D-12E each make great gifts for your favorite musician, including if that happens to be YOU!
Martins made with a mahogany back and sides are prized for the purity of their uncomplicated tone and their classic, understated good looks. But the mahogany mystique is most unique in the guitars from Martin’s 15 Series, as they are constructed with the addition of a mahogany top that produces a special kind of tone.
Blueridge BR-180 vs. Martin D-45
The Blueridge BR-180 is one handsome acoustic guitar with a powerful voice. The gorgeous tonewoods are inlayed with high-color abalone pearl, making this stunning stallion stand out from the herd, as the top-of-the-line dreadnought in the Historic Series. The Martin D-45 is the flagship of C. F. Martin’s Standard Series, setting the standard for professional-level acoustic guitars. In this blog post we will compare and contrast these two exceptional examples of modern luthiery.
The clear, woody tones singing from the sound hole of an Auditorium-size acoustic guitar with mahogany back and sides and topped with Sitka spruce makes beautiful music indeed. The Blueridge BR-143 is just such an instrument. On paper, the BR-143 appears to be quite similar to the celebrated Martin 000-18. You know what? They actually are quite similar, with perhaps the biggest difference between them being the expense required to own a 000-18 compared to the amazingly affordable price of the BR-143.
The latest installment of Maury’s popular A vs. B series compares two popular guitar models, the Blueridge BR-163 from the Historic Series of traditional designs inspired by various pre-war Martin guitars, and the Martin OM-28 from the Standard Series, which upgraded in 2018 to get its own pre-war Martin styling. These two awesome Auditorium-size acoustic are similar, yet offer a unique playing experience from one another.
What is the difference between the Martin D-28 and the upgraded version of it, the HD-28? On Monday, February 8, Maury took part in an online symposium dedicated to comparing these most-loved Martin models and how scalloped bracing played a part in their evolution. The panel included Aaron Short who was hosting it on his YouTube channel, Aaron Short Music, and featured our pal Spoon Phillips. Read more!
Why are there so many versions of the D-28 for sale? From its introduction in early 1930s, the Martin D-28 set the standard that all other acoustic guitars have been compared to ever since. Today, Martin offers more than one version of this most-iconic acoustic guitar, inspired by various renditions from the D-28’s historic past. And we are going to take a closer look at each of them in this blog post. Read more.
Martin Guitar Comparison #1 – 2018 D-28 vs. 2018 HD-28
I cannot remember how many times we’ve been asked to compare two different Martin guitars for a customer on the verge of purchasing one or the other. Today we are featuring the reimagined versions of the Martin D-28 & HD-28. Read more!
At Winter NAMM 2019 C.F. Martin & Company debuted the new Dreadnought Junior 10 and Dreadnought Junior 10 Burst. The new DJr-10 design differs from the previous version in one significant way, the depth of the body is shallower. Read more.
One of our customers requested a comparison video. He wanted to hear the differences between the Blueridge BR-140A and BR-160A. We said give us 24 hours and we'll do the BR-180A too. And our story does unfold.
This week we turn up and make the walls shake when we take a look at two Reverend bass guitars.
"Hollow body guitars are something of a hybrid between an solid body electric and a 6 string acoustic. Like a solid body guitar, hollows start out with a solid block of wood for the body. However, rather than a minimal amount of cavities being routed for the electronics, on a hollow body the luthier routes more cavities in the guitar, essentially deleting as much wood as possibly without significantly compromising the structural integrity of the instrument. Once the guitar is “hollowed out” a thin veneer of wood is placed over the top of the guitar to cover the routed cavities and create little air chambers throughout the body of the instrument."
Over the years Martin has changed the exact position of the "X " bracing numerous times, but on modern Martins the standard positioning of the center of this X is about 1.5” from the soundhole. If the center of the X gets closer to the soundhole this is known as forward shifting. If the center is farther away it’s known as rear-shifting.
This topic was actually requested by a customer who was having some difficulty understanding the difference between the D-28 Marquis and D-28 Authentic 1937. Both of these guitars offer similar woods, construction and features. However, as with all things acoustic guitar, the devil is in the details and it’s only by looking carefully at the specs that you’ll get a full picture.